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Curious about the idiocyncracies, paradoxes and poetry that can emerge, Sunniva McAlinden, works with the challenges of a conceptually based non-figurative minimalist approach. Interested in how visual perception both connects to and bypasses language, her explorations of painting as subject and object are guided by interactive exchanges that take place between the idea and the material. Occupied with ideas that evolve from the visual and haptic qualities of painting her practice includes three-dimensional constructions, photography, installation, and site-specific works using a variety of materials. Her most recent work brings the pull of gravity into play.​

 

Solo exhibitions include a major presentation at Kunstnernes Hus, Oslo, entitled “Folly” (2008). Participation in group exhibitions include at Astrup Fearnley Museet, Oslo, and Bonniers Konsthall, Stockholm. “Ridå” (1998) a large textile work for the main auditorium of Moderna Museet Stockholm, subtly addresses aspects of visibility: of being 'on stage' and 'backstage'. “Länk” (2017), a public art commission for Odenplan station, Stockholm City Line commuter rail, consists of two mosaic murals with enlarged ornamental chain motifs that symbolise the network of movement and connection crucial for travel.

Born in 1963 in Oslo, she grew up in England and Norway. After foundation studies at the Nordic School of Art, Finland, she studied Fine Art at the Royal Institute of Art, Stockholm, Sweden (1985–1990). Teaching has been an important extension of her art practice. She has worked as professor at Bergen National Academy of the Arts (2004–2010) and at Oslo National Academy of the Arts (2013–2021). Her work is represented in various public collections in Sweden such as Statens Konstråd, Stockholm konst, Offentlig konst Region Stockholm, Offentlig konst Region Uppsala.

 

Sunniva McAlinden is based in Stockholm.

 

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