Working with the challenges of a conceptually based non-figurative minimalist approach, Sunniva McAlinden, explores painting as both subject and object. Curious about the idiosyncrasies, paradoxes and poetry that can emerge from this approach her working method involves interactive exchanges between the idea and the material that both connect to and bypass language. Occupied with ideas and connections that evolve from the physical and formal qualities of painting her most recent work brings the pull of gravity into play.​ Her painting-based practice includes three-dimensional constructions, photography, and site-specific works using a variety of materials. 

 

Solo exhibitions include a major presentation at Kunstnernes Hus, Oslo, entitled “Folly” (2008). Participation in group exhibitions include at Astrup Fearnley Museet, Oslo, and Bonniers Konsthall, Stockholm. “Ridå” (1998) a large textile work for the main auditorium of Moderna Museet Stockholm, subtly addresses aspects of visibility: of being 'on stage' and 'backstage'. “Länk” (2017), a public art commission for Odenplan station, Stockholm City Line commuter rail, consists of two mosaic murals with enlarged ornamental chain motifs that symbolise the network of movement and connection crucial for travel.

​

Born in 1963 in Oslo, she grew up in England and Norway. After foundation studies at the Nordic School of Art, Finland, she studied Fine Art at the Royal Institute of Art, Stockholm, Sweden (1985–1990). Teaching has been an important extension of her art practice. She has worked as professor at Bergen National Academy of the Arts (2004–2010) and at Oslo National Academy of the Arts (2013–2021). Her work is represented in various public collections in Sweden such as Statens Konstråd, Stockholm konst, Offentlig konst Region Stockholm, Offentlig konst Region Uppsala.

 

Sunniva McAlinden is based in Stockholm.